Opera Triple Bill: Britten, Weill & Ravel

Dates
29 November 2024, 7:00pm

Venue
Britten Theatre

Tickets
£60, £40, £20; £10 under 35

To access discounted under-35s tickets, please select your seat and on the following page select the Under 35 ticket type. Please ensure that you have also inputted your date of birth in your online account. You may be asked to show proof of age eligibility when you attend your booked performance. The discount applies to the cheapest price band only and will be applied at checkout. Full terms and conditions are available on our Box Office page.

Priority booking

RCM Friends and supporters at Core Contributor level and above have priority booking from Wednesday 2 October 2024. General booking opens for our opera on Wednesday 9 October 2024.

Become a member and benefit from priority booking.

A graphic of three semi-circles in yellow, red and blue, on a dark navy background

29 November 2024, 7:00pm

Venue
Britten Theatre

Tickets
£60, £40, £20; £10 under 35

To access discounted under-35s tickets, please select your seat and on the following page select the Under 35 ticket type. Please ensure that you have also inputted your date of birth in your online account. You may be asked to show proof of age eligibility when you attend your booked performance. The discount applies to the cheapest price band only and will be applied at checkout. Full terms and conditions are available on our Box Office page.

Priority booking

RCM Friends and supporters at Core Contributor level and above have priority booking from Wednesday 2 October 2024. General booking opens for our opera on Wednesday 9 October 2024.

Become a member and benefit from priority booking.

Michael Rosewell conductor
Ella Marchment director
Cordelia Chisholm designer

Britten Les Illuminations
Weill Marie Galante 
Ravel L'heure espagnole 

The Royal College of Music Opera Studio presents a triple-bill of vocal masterpieces sung in French. This intoxicating trio of works celebrates the French language and showcases the versatility of RCM singers.

Les Illuminations is a contemplative song cycle by RCM alumnus Benjamin Britten, comprising settings of some of Arthur Rimbaud’s most important work, expressing vivid imagery and surrealistic themes.

Then comes a selection of beguiling, rarely performed songs from Kurt Weill’s early work Marie Galante.

Our musical tripych ends with Ravel's popular one-act opera, the comédie musicale L’heure espagnole, follows a farcical plot featuring the hapless Torquemada, his mischievous wife and a host of comical characters concealed in clocks.

This production is made possible with the assistance of the Basil Coleman bequest.

Tickets will go on sale on 9 October (or 2 October for those with priority booking).

_home Vocal

Plan your visit

Location Transport Food & drink Access

Royal College of Music
Prince Consort Road
London SW7 2BS

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   South Kensington: 0.5 miles
   Gloucester Road: 0.6 miles
   High Street Kensington: 0.8 miles

   Paddington: 1.5 miles
   Victoria: 2 miles

   Santander Cycles docking station and public cycle locking facilities adjacent to RCM

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The RCM provides light refreshments throughout the year. There is also a range of restaurants, cafés and other establishments nearby, most adjacent to South Kensington station.

RCM Café

The RCM Café serves barista-style coffees, sandwiches, snacks, salads and hot food. There is also access to outside seating in our new 1851 courtyard.

Opening hours: 

Monday-Friday: 8.30am-4.30pm

Saturday: 8.30am-4.30pm (term time only)

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The main entrance to the RCM has eight steps up from the pavement and two inside the main doors. A lift is available for visitors with limited mobility. The lift is built into the smaller staircase to the left of the main entrance steps. There is an intercom button on the control panel, which can be seen and reached easily from the street. On arrival, press the buzzer to notify a member of RCM staff, who will come out to meet you and operate the lift for you.

All our event venues can be accessed by visitors with limited mobility via the lift at the main entrance.

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